![]() The success of “Turn Down for What” didn’t completely re-establish Lil Jon as a cultural force, but the effort was honorable enough to earn a FLOTUS parody. It’s impressive how despite being thought of as a rap game carnival barker, Lil Jon has remained close to the pop music zeitgetist for nearly two decades his signature bark is just that versatile. His most recent hit found him bending it toward dubstep, a genre that justifies its 90 percent of electro-detritus with the 10 percent of ecstasy (a.k.a. As the Vines suggest, tough times call for tougher bass drops. “Ultimate” gave us one with its bacchanalia hook. But hip-hop was founded on moments: After all, the genre was founded on stitching the best parts of existing songs together. We’re here because of umbrellas.Ĭurry has been consistently proving he’s one of the more talented rappers to come from the South. ![]() “Run” was very much within the post-Imagine Dragons industrial rock wastebasket Long Island and Staten Island bros bathe in. This isn’t one of those retrospective, this-song-was-actually-kind-of-good blurbs. ![]() And now it is no more, so we mourn.Īs is the custom with these sorts of circumstances, let’s look back on the happier times when Vine linked up with music for gold. We pulled a bunch of Vines that turned a song into a big deal, or made an already hot track even better. This was a fecund space in a decaying industry. Its future cancellation not only robs creatives of a major platform-some of modern music’s greatest moments manifested because of Vine. The six seconds allotted wasn’t a limiter, but a well of endless possibilities. If you believe that any review contained on our site infringes upon your copyright, please email us.The death of the Vine is the death of an art form.
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